Showing posts with label netherlands. Show all posts
Showing posts with label netherlands. Show all posts

Wednesday, 31 December 2014

Celebration Time




My article on: Celebrating 20 Years of The Groninger Museum has been published, in the December 2014/January 2015 issue of The Holland Times.
Available both online and in hardcopy, The Holland Times offers Dutch news to anyone who wishes to be kept up to date in English.









© Alison Day 


Thursday, 31 March 2011

Exhibition - 9 Women


Just picked up the flyers for my upcoming exhibition: ' 9 Women' - If you're in The Netherlands come and see the ladies. Otherwise they can be viewed on my website: 9 Women

Monday, 31 January 2011

Zorre Mexican Restaurant Review





Quickly locking our bikes, Sam, my son and I ran full pelt under heavy fire from a heaven-flung load of hailstones, through the doors of Zorre and into the cosy, calm warmth of the restaurant. We had been invited to come and try their Mexican food and give our opinions about it.

Zorre may be familiar to you under the old name of Tacos and was set up in 2004, in the Westerhaven, by the brother and sister team of Petroeska and Rogier Lankhorst.

Since then, with the advent of a new name it has undergone a makeover, which is a success and pleasing to the eye. The orange interior has a feature wall, decorated by an enlarged Mexican street scene, in varying hues of orange and a complement to the chocolate coloured walls. Dependant on your mood or party, you can choose between various seating arrangements. There is the family arrangement, of a large round wooden table and chairs (including baby seat), the café style with metal table and chairs opposite a wide wooden wall bench, or high wooden bar tables with aluminium bar stools to perch upon. With tiny flickering tea light candles and atmospheric background music, one feels welcome.

The name Zorre comes from the local dialect (Gronings) for a graspol, literally ‘a clump of grass’ and sounds Spanish at the same time; a little bit of Mexico in Groningen. The grass also reflects their ethos in only producing food that is freshly made. They use only the best ingredients and wherever possible, organic.

Petroeska greeted us with a bright friendly smile, and our table was quickly covered with a starter of fresh crispy tortillas and guacamole dip, a cola and Mexican, Corona beer. From the menu we could choose between Taco’s, Tostada’s and Torta’s either separately or in combination with each other and side dishes. Every Taco on the menu comes from a different region in Mexico and its toppings are decided by what is prevalent in that area. Not knowing the sizes of the dishes we asked Petroeska’s advice and came up with a selection that we could share.






Sam’s chose a Quesadilla taco filled with cheese and paprika and a portion of Galletas de papas, fried croquettes filled with potato, cheese, egg, jalapeno peppers and coriander. When asking his opinion about the food I got a general thumbs up. The cheese on his tortilla was ‘holy,’ and of the Galletas de papas he said, ‘it’s real, not like the McDonalds,’ a big compliment coming from an 11-year-old boy!
I chose a Tostada Fajitas, a fried corn tortilla, filled with frijoles (refried beans), strips of marinated chicken and paprika with fresh coriander hidden under a hat of melted cheese. Absolutely delicious! Tostada’s are easier to eat with the hands due to their crispiness. I also chose a Taco, Papas y chorizo, filled with potato, chorizo cheese, and green peppers, also a very tasty combination. The dishes are well thought out so that you are able to taste the ingredients independently and as a whole. All dishes are colourfully and beautifully presented and come accompanied by little side dishes of sour cream, guacamole and a chopped tomatoes and onion combination. To share, Sam and I had a Caesar salad (invented by Caesar Cardini, an Italian-born Mexican who, when a 4th of July 1924 rush depleted the kitchen's supplies, made do with what he had left, resulting in the birth of the Caesar Salad).
In Zorre you can eat as much or as little as your appetite demands. Every week there is a Quesadilla (tortilla) of the week on offer; when we visited the special was salmon and cream cheese. When trying to decide how hungry you are, their guide is:
1 Taco = a snack, 2 Taco’s = Lunch and 3 Taco’s = a meal.
They have a kid’s menu and if you are short of time, they also do take away. Zorre provides a catering service as well as workshops, for if you’d like to learn more about making your own Mexican food. For more information their website is: www.zorre.nl.


After the first courses, being curious and still having enough room for a dessert, I decided to try a typical Mexican pudding, Pay de Quesos, literally ‘tart of cheese,’ which was light and tasty.


Whether Zorre is new to you or not, why not cut out the voucher on this page and take it along to Zorre (before 31st March 2011), to sample one of their freshly made Quesadilla’s absolutely free!




First published in the Connections magazine #30 Winter 2011 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)





Wednesday, 16 June 2010

William van de Velde - Kunsteboer





On a blustery and rainy Sunday afternoon (kitted out head to toe in rain gear, in anticipation of what the delightful Northern European weather was going to throw at me), I set out on my trusty bicycle to visit William van de Velde, also known as Kunsteboer (Artistic farmer), to learn more about him and his work.


Nestled in the woods, you enter chez William’s via a little bridge over a stream, the railings of which have been designed and created by him. Then through a large gate topped with an impressive iron bird, rust-red and in mid-flight.
The house has three separate parts to it. In one part Karen (William’s partner) was preparing to give a Thai’s massage to a client. Then we had a peak into the trailer, transformed by William into their son’s (Padouk’s) bedroom-playroom. The interior is of wood complete with one of William’s creative wood burning stoves, in the form of an elephant. In the garden everywhere you look there is a piece of William’s work; some pieces are functional whilst others are decorative and amusing. A fusion of pieces of metal and found objects, the older pieces having added charm due to being aged by the weather. Then we moved onto the hub of their house and the kitchen-living room. I was greeted by a very friendly dog and astutely ignored by two cats, as we sat down over hot drinks and William began to tell me about his life.







He was born in Paris, but his youth was quite a nomadic existence, (he lived in a variety of places in southern France), so it wasn’t until he visited Groningen, in the mid nineteen nineties, that he found a place he actually wanted to stay. He likes The Netherlands and the sobriety and directness of the Dutch, in comparison to the passionate often-irrational explosive nature of his fellow countrymen. According to William, with the Dutch you know what to expect and where you are with them. He also likes Groningen because it is bursting with art, exhibitions, festivals, music, and attractions, far more than his native France. This has definitely played a roll in him becoming an artist: “I have become what I am because I came to live here,” he says. Also, as most of his circle of friends are artists too, there is a constant stimulation to develop oneself.

He had a brush with Minerva (the art academy) for a period of three months, before deciding it would be better to just go out and do it, seeing as he was already exhibiting at the time (at Stichting Baksteen), funnily enough with his entrance piece (a man-lamp) to the art school.

Having the Dutch directness off to a tee, he became a member of the prestigious Groningen art circle ‘de Ploeg’ by asking to become one. When they questioned him as to why, he unabashedly said, in order to promote himself. Liking his audacity and the fact that they didn’t have a sculptor at the time in their numbers, they accepted him!








An artist of circumstance, as a ship restorer the start of William’s creativity was when he noticed the sheer amount of metal left lying about, after the welding process was over. This was considered waste and so he took the pieces and began to solder them together, often giving his creations away as birthday presents. One time he made a set of Jujitsu fighting figures, which were so popular that they went like hot cakes, with orders for more.

When asked about his artistic process from start to finish, he says that initially rubbish is abstract, so he aims to make something recognizable out of it. Often seeing heads and arms amongst the pieces, he takes them and waits to see what they become in his hands. When it comes to commissions he is quite happy to work to the specified design of a client, but of course to be given free licence is his real passion. As to influences, he says although he is a culture barbarian he is not consciously influenced by anyone in particular, except himself, and then roars with laughter.






Does he have plans for the future? Yes, he wants to create on a larger scale, the bigger the better. With this in mind he would like to be given the chance to embellish buildings throughout the city. One such idea is to make a palm tree out of the chimney attached to the Simplon building. He apparently has been given the go ahead, now all he needs is investors; anyone interested? It will be a feat of mastery to realize, but once completed it would certainly improve the Groningen skyline.

William’s work can be regularly seen in exhibitions, at art festivals and markets, however, if you would like to contact him for more information about his work, his website can be found at: Kunsteboer.



First published in the Connections magazine #26 Winter 2009


View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)


Thursday, 10 June 2010

The Noorderzon Festival



If you haven’t been to the Noorderzon Performing Arts Festival yet, you should do so. Every year for ten days in August this festival takes over the Noorderplansoen (park), is in various theatres and other venues in the inner city of Groningen and provides a varied and entertaining crossover theatre festival.

This year the festival celebrated its 18th year. Each year it grows in popularity and with a diversity of things on offer to do or see, and appeals to a wide audience.

Entrance to the part is free. There is a mixture of free and ticketed things to see. It seems that this year two thirds of the program comes from abroad, and dues to limitations the inner city location have more on offer this year.

The diversity of the program includes theatre, dance, multimedia, film, video and circus to name but a few.

The Romeo and Juliet tents house bigger acts such as circuses or thought-provoking theatre. Then there are the metal containers that house anything from quirky little acts, to artists and designers. This year’s theme seemed to be more than ever before about re-cycling, with some amazing results. Old pliers and iron welded together became an unusual lampshade, or a small dog sitting patiently waiting for its owner. Elsewhere, you could bring any article of your clothing to one stall to have it ‘pimped’ with an original silkscreen design.

One attraction I particularly liked was the ‘Pocket Garden’. A caravan had been turned into a small garden and filled with plants and flowers. The outside of it was pretty funky too!

As always there is world food and drink available in tents and terraces to suit every palate. In the evening the whole place is lit up with bulbs and trees are illuminated by green lamps, whilst videos are projected onto a three-screened object, which floats on one of the areas of water in the park.

For children there is always loads to do, painting activities are on offer and this year large paintings with cut outs where the heads should be were great for photo opportunities.


For more on the festival, visit their website – Noorderzon





First published in the Connections magazine #21 Autumn 2008 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)

Tuesday, 18 May 2010

Connections Magazine - Winter #18 2008


Cover for the Connections Winter issue 2008




First published in the Connections magazine #18 Winter 2008 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)

Connections Magazine - Autumn #17 2007



Cover of Connections Autumn 2007



First published in the Connections magazine #17 Autumn 2007 


View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)

Saturday, 8 May 2010

Connections Magazine - Summer #16 2007



Cover Connections Summer issue 2007



First published in the Connections magazine #16 Summer 2007 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)



Dutch Water Towers





From 1856 onwards about 260 water towers were built throughout The Netherlands. Of the 175 still remaining few (with the exception of towers in Amsterdam and Utrecht ), are still in use for the regulation of the mains drinking water. The introduction of hydraulic engineering in the 1950’s being the main cause.

Each tower is unique in its design; influenced by a different architectural period. This diversity is not often seen anywhere else in the world. Contrasting with the Dutch landscape they are the visiting card of each city.

The first water tower in The Netherlands was commissioned by Willem III in 1680 in order to create sufficient water pressure for the fountain in the grounds of the palace Soestdijk (The former palace of Queen Juliana and Prince Bernhard). Other early water towers were built to supply the steam locomotives of the railway. Less imposing than their drinking water cousins, none of these still exist today.

The height of the water towers varies from 35-60 metres. The water reservoir held enough water to keep a constant pressure on the waters mains and acted as a buffer supply on demand.  


As the numbers of water towers in use declines, these characteristic landmarks become protected monuments often with other functions. The oldest water tower in The Netherlands can be found in Rotterdam. The tower is a mix of Neo Romanesque, Neo Renaissance and Moors construction styles. In its day it had a water reservoir capacity of one million litres. Out of commission since 1977 and a protected monument, it now houses seven apartments, office space, and a cafĂ©/restaurant! 





An equally impressive water tower and monument can be found in the Schildersbuurt (painters’ neighbourhood), Groningen in the Netherlands. Situated on the corner of Dr. C. Hofstede de Grootkade and the Herman Colleniusstraat.

Sources:
WatertorensTop010




First published in the Connections magazine #16 Summer 2007 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)




Thursday, 29 April 2010

Connections Magazine - Spring #15 2007



Cover Connections Spring issue


First published in the Connections magazine #15 Spring 2007 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)