It is a series of brightly
coloured cards depicting a variety of animals, which have been attracting my
attention for a while. Each has its own story, and is illustrated to
incorporate realism, in the accuracy of their detailed rendering, plus a hint
of the world of cartoon in their personification. Although frogs seem to be in
the majority, it is the card with a bird wearing a top hat tilted at a rakish
angle, that becomes the deciding factor in my contacting the artist; beady
eyes, long pointy beak and an intense stare invite the viewer to choose one of
the three upturned cups on the table in front of the bird, in a gamble, to
reveal what’s hiding underneath.
These are the creations of artist Jasper
Oostland who lives and works in Groningen. I arrive at his house on a rare
sunny day in June; a house filled with large windows, which results in an
overall bright, airy feel, and is the perfect residence for an artist. With his
studio situated in the attic, we head upstairs. White walls, windows on two
sides, jars filled with brushes awaiting action, and enormous pots of acrylic
paint stand resolutely on a table. Nearby, is an easel with his latest work in
progress; there’s a lot of bright pink happening in this work, and from the
outlines I can just make out a car and a flamingo. The easel has an ingenious
feature - the addition of a rotary centre. This allows the current work to be
turned a full 360 degrees, allowing complete ease of access to the entire
picture whilst it is worked upon.
A former student of the art school,
Minerva, in Groningen, Jasper studied illustration with an emphasis on
technique. Studying the use of light, its source and application, is an
important part in creating the 3-D realism of the animals. To my question about
his colour usage, he says it is something that he uses intuitively. Each work
starts with a wash of background colour upon which the animals are brought to
life through a series of painted layers progressing from dark to light. As he talks
he passes me an amazingly detailed picture of a large grey rhino, standing
wistfully next to a delicate pink rose in a glass vase. The equally bright pink
background is one of his experiments; in this case how to make pink work on
pink. Other little tricks and details he puts in his work are expressly done to
leave something for the viewer to discover.
The abundance of frogs in his work, often
in everyday situations, leads me to ask firstly, if he is the frog, and
secondly, if the variety of situations the frog finds himself in, is maybe a
tongue in cheek social comment. To the former he says he is not, as far as he is
aware, the frog, although sometimes according to his girlfriend, he can have a particular
stance or expression that reminds her of a frog. As for a deep and meaningful
message or social comment, he says there isn’t one, he likes frogs, and in
particular tree frogs because they have a lot of character; they have great
hands with padded fingers that can hold things and expressive eyes.
When it comes to inspiration he researches
photos in books or images from the Internet, for the accurate depiction he
needs. As for what comes first, it is more or less spontaneous - sometimes it’s
the animal and sometimes the object. Ideas also come from association or a
particular pose, and these are worked out further in a sketchbook.
These days it is very important for artists
to be active with self-promotion if they want public attention. Jasper seems to
have this under control: he has an up to date website; makes use of social
media (find him on Facebook); exhibits regularly; sells work online – both
originals and giclées; uses Chat Roulette, a website where you can watch
him paint live. Also, by every exhibition he places a large pile of cards
depicting one of his works and including his contact details. As he says:
“People keep them and pin them up.” This continual visibility has led to 20% of
his work being commission based, and, as a result he finds himself in the
enviable position of having enough work for a year.
When asked if he has any dreams for the
future, he says that at the moment he is quite happy with the status quo, but
maybe a book, a little more structured organization of his business as a whole,
and, as the father of two young daughters under five, a little more sleep
wouldn’t go amiss.
If you would like to see Jasper’s work, why
not visit the library in Groningen, where he is currently exhibiting a
selection of works. It runs from 5th September
2012 to 4th January 2013.
© Alison Day
First published in the Connections magazine #37 Autumn 2012
© Alison Day
First published in the Connections magazine #37 Autumn 2012
Read & download issue here
View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)
View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)
