Showing posts with label people. Show all posts
Showing posts with label people. Show all posts

Monday, 31 December 2018

The Embroider


Every passing minute is another chance to turn it all around—
Vanilla Sky

Early 2018, I awoke one morning with the decision to throw my current life in the Netherlands to the wind. I’d been living on the continent for over 27 years and remaining there no longer served who I was and what I wanted out of life. 
I decided there and then that before my next birthday, in April, I would repatriate to my hometown area of Oxfordshire in the UK. So, I put my house up for sale at the start of March and began a major life laundry, clearing up, throwing out and closing down my life there.
The move was complex. A moving company took the bulk of my possessions to the UK and put them in storage; my brother drove over with his transit van and picked up me, my two cats and remaining possessions. The overnight journey by boat went well and the cats became expats.
Since then, re-activating my life has been complex: buying a house; finding a job and getting used to England again. The feeling that I’m on Mars has lessened, but it’ll take a while before I feel as though I belong. The urge to speak Dutch has vanished, although the odd Dutch word will still pop up now and again thwarting my flow.
Finding a job is the main task at the moment and Internet searches on job sites are interspersed by appointments with employment agencies. It’s a slow process and my enthusiasm goes in peaks and dales.



On my trips to the centre of Oxford, I notice the increase in the number of homeless people, living on cardboard box panels, under duvets. Over the years, it’s  increased exponentially and it’s a sad sight to see in what is considered to be such an affluent city. Alongside the street dwellers, are opinionated preachers, musicians and young people, showing off acrobatic or football skills, in the hope of a few coins from passers by. 
One person, however, stood out from the rest, and who actively seemed to be trying to make something more positive out of her circumstances. Sitting cross-legged on the ground, on a sleeping bag, she was totally absorbed in the process of sewing a picture on a large canvas, using brightly coloured, embroidery thread and wool. Ironically, her back was facing the outside wall of a well known bank. Her pictures are happy scenes embroidered onto material, guided by roughly sketched outlines. Every so often she would be forced to take a rest, due to the arthritic pain in her hands. The results of her labours are charming, colourful pictures, which have a naivety to their style.

Stopping to chat, I found out that this was Carol’s turf. She’d sat here every day for the past six years—sewing. Her pictures were not limited to canvases, there was also a large lamp shade that someone had thrown away, which she had covered with her creative stitches, plus a rather macabre looking doll. ‘I’ll sew on anything I can get my hands on’, she said. At one time, she made a series of small dogs, which became popular and sold instantly whenever she made them, but she found making things to order boring. That’s not why she sewed: ‘I do what I do, because I have to,’ she said.

Whenever the police tried to move her on she would say: ‘I’m not beggin’, I’m working.’ To the tourists who want to photograph her she says: ‘ If you want to take a photo of my work and help me do what I do—throw some coins in the box.’


I told her that I kept a blog and asked if she’d mind if I photographed her and her work for a blog post: ‘You do what you’ve got to do—at least you asked, most people don’t’, she replied. ‘I’ve been on telly and photographed before’, she added. As a raised my phone, she went quiet, adverted her eyes and bent her head to look at the ground. 

Like many artists, Carol was doing, in her words ‘what she had to do’. How she came to be there is of course another story and not relevant to my conversation with her. I was touched by the way she embraces her creativity as a means to survive on the streets, but ultimately shies away from the limelight.

If you’d like to see Carol’s work, or have a chat, you’ll find her sitting at Carfax, at the end of Cornmarket Street.


Sunday, 7 May 2017

Monday, 20 February 2017

People we Meet


Arial: Water nymph, loves to water ski and eat fish finger sandwiches




Mr Hedge: Retired horticulturist, confirmed bachelor and avid chess player




Waaaa! Baby: Just arrived, noisy, needs changing



Isn't it interesting how diverse the people are we meet during our lives? Some we feel we've met before and others may just have arrived, but everyone has an impact. Some enter and exit again almost immediately, as through a revolving door, whilst others, like scenery, linger a while and populate the backdrop of our lives. Eventually, purpose fulfilled all move on to another place.


Wednesday, 16 June 2010

What's Hot, What's Not! - CouchSurfing



Participate in Creating a Better World, One Couch At A Time


There are many ways to travel the world, whether it is on foot or by mechanical means, but at the end of each day we all need a place to rest our heads and stash our baggage. This calls to mind the well-sung words of a 1983 UK chart topper by Paul Young, ‘Wherever I lay my hat is my home’.

When travelling aboard, there are a multitude of options and types of places to stay on the market and budgets vary accordingly. A hotel, however, whilst a comfortable option on the one hand, remains an impersonal one, even after you have finished plundering the mini bar. Also, from your ivory tower you have to make a concerted effort to get out and get to know the city and its inhabitants and hope that your guidebook is still up to date. 

Enter an increasingly popular solution in the form of CouchSurfing. No, this is not a modern twist on the Walt Disney musical Bedknobs and Broomsticks (1971). CouchSurfing is a non-profit organization that was set up in 2004, and boasts connections in 230 countries and territories around the world. Their aim is to promote cultural exchange, understanding of others, friendship and education amongst world citizens.





By becoming a member you become part of an international community of travelers and can Surf or Host or both. Hosting is when people around the world offer their ‘couch’, as a place to stay to someone planning on visiting their country, the length of time being pre-determined between the two parties. Or you can Surf for ‘couches’, in countries you would like to visit. The only requirement of becoming a member of CouchSurfing is that you too will reciprocate your ‘couch’ to a fellow traveler at some stage in your life. On top of this via their website community, they also organize regional events and activities.

The advantages of such an exchange are many. By staying with the people local to an area, it is a far more interesting way to explore a new country. From your host up to date information on places of interest, things to see and do will be at your fingertips, plus if you get on particularly well with them you may even be included to join in their social scene. It’s a way of leaving the realms of total tourist behind and being privy to a country from your host’s perspective as well. Also, from reading a few of the testimonials on their website, a far cheaper option than the afore mentioned hotel. For the host there is the fun of meeting new people and learning about new cultures from around the world without leaving the comfort of their home and of course they can also use CouchSurfing too and may even end up on your couch in the future!  

For more information: CouchSurfing


First published in the Connections magazine #26 Winter 2009

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)







Thursday, 10 June 2010

The Noorderzon Festival



If you haven’t been to the Noorderzon Performing Arts Festival yet, you should do so. Every year for ten days in August this festival takes over the Noorderplansoen (park), is in various theatres and other venues in the inner city of Groningen and provides a varied and entertaining crossover theatre festival.

This year the festival celebrated its 18th year. Each year it grows in popularity and with a diversity of things on offer to do or see, and appeals to a wide audience.

Entrance to the part is free. There is a mixture of free and ticketed things to see. It seems that this year two thirds of the program comes from abroad, and dues to limitations the inner city location have more on offer this year.

The diversity of the program includes theatre, dance, multimedia, film, video and circus to name but a few.

The Romeo and Juliet tents house bigger acts such as circuses or thought-provoking theatre. Then there are the metal containers that house anything from quirky little acts, to artists and designers. This year’s theme seemed to be more than ever before about re-cycling, with some amazing results. Old pliers and iron welded together became an unusual lampshade, or a small dog sitting patiently waiting for its owner. Elsewhere, you could bring any article of your clothing to one stall to have it ‘pimped’ with an original silkscreen design.

One attraction I particularly liked was the ‘Pocket Garden’. A caravan had been turned into a small garden and filled with plants and flowers. The outside of it was pretty funky too!

As always there is world food and drink available in tents and terraces to suit every palate. In the evening the whole place is lit up with bulbs and trees are illuminated by green lamps, whilst videos are projected onto a three-screened object, which floats on one of the areas of water in the park.

For children there is always loads to do, painting activities are on offer and this year large paintings with cut outs where the heads should be were great for photo opportunities.


For more on the festival, visit their website – Noorderzon





First published in the Connections magazine #21 Autumn 2008 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)

Saturday, 8 May 2010

Suzanne Postel – Murals, Frescos & Portraits - Artist interview




My meeting with Suzanne Postel came out of my curiosity to find out who the artist was of a rather imposing mural covering the entire side of a building contractor’s office, along the Korreweg in Groningen. Having cycled past many times in my daily travels, finally one day I jammed on the brakes and went inside to enquire.

I met Suzanne at her studio along the Eendrachtskade, which is spacious enough to serve as both work and exhibition space. The studio is filled with marvelous paintings at every turn and the area in the back, where we sat and drank coffee, has a wall that is a collage of small paintings, images, and photos of friends and family. I asked her how it came about that one of her murals was on the side of a building contractor’s office. She told me that living nearby meant that everyday she had looked out upon the building and a set of filled in windows that had been painted a rather unimaginative white. This made her fingers itch to do something about it, so much so that she approached them and offered to paint the offending building with a mural. The result is a set of very impressive classically robed women, each standing in a niche bearing a tool or implement relevant to the building trade.

Although always an artist at heart, after her student days and completion of her studies at the art school Minerva in Groningen, she decided to leave Holland for France. Here she lived for a period of ten years where she helped in setting up and running a naturist camping resort with her parents. France was an exciting and challenging period in her life, but she missed painting and the Dutch culture and returned to Groningen in 1999. In her own words: ‘I wanted to cycle across the market place with my children and buy sugar waffles’. Once back in Groningen she set up a studio and has established herself as a muralist and portraitist.

Before starting a piece of work, she does a lot of sketching, takes photographs (in the case of a commissioned portrait) and adds to a scrapbook. A book full of ideas this scrapbook is filled with images, material samples, and text, often poignant lines from poems. A particular favourite is the poet Jean Pierre Rawie. From this process arises a series of puzzle pieces that when put together become the basis design for a mural or portrait. Then turning to canvas or masomite (a specially treated art board) the initial idea is laid down very quickly as an acrylic base. After that she will work further on the idea in oils until its logical conclusion is reached and she is happy with it.

Other strong influences in her work can be seen to come from paintings from the Renaissance and Impressionist movements and from the world of dreams. According to the Chinese one should live out ones dreams in order to move on. One particular dream that she has turned into a painting is a self-portrait of herself, angry and with a dripping paintbrush in her mouth. What it means she is not sure, but it needed to be painted.

With regular commissions and exhibitions, as well as doing all her own public relations, and giving painting lessons to students with an age range of twenty to sixty. Suzanne is not only able to follow her passion but has been able to make it into a successful business.

The opening of her current exhibition entitled ‘De Hoge Lucht’ (The Light from Above), took place on 24 June 2007. The event was opened by Jacque D’Ancona (a renown Dutch journalist, amongst other things).






First published in the Connections magazine #16 Summer 2007 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)