Showing posts with label world. Show all posts
Showing posts with label world. Show all posts

Tuesday, 30 December 2014

Eternal Renaissance





In the gravel car park of Wytham Woods, we head for a tall wooden gate. On the way we pass other Christmas walkers, with their hatted heads, booted feet and festive cheer. Unrestrained by its turquoise rope lasso, the gate yields to a light push swinging out into a field of long, tufted grass. The path is slippery with mud, so we follow the long tresses of its edges. The landscape undulates upwards towards a cluster of trees on the horizon.







The air is fresh and clean and I feel my lungs gasping greedily with the effort as my boots slide out from underneath me. Shrubbery, green fields and bare wintery trees surround us. The decorative dots of sheep, barely visible buildings and a white mass—The John Radcliffe Hospital, are part of the patchwork landscape.
Along the way, we greet friendly-faced walkers. Facial contours forgotten, fading almost as instantly as the time in which it takes us to pass by. At the top, through a metal gate that closes automatically behind us and into a tunnel of bare-branched trees connected at their tips. Dark, naked and silent waiting for the Renaissance of Spring.





A path has been cleared through the thick blanket of fallen and browning leaves. Twisted and gnarled limbs cavort around us. Fallen trunks are clothed in rich, green moss and the landscape falls away suddenly into a small valley, only to rise again a little further on, at journey's end. This is marked by a bench, facing a gated view from a raised stone plinth. Growing nearby, a pair of tree trunks like lovers intricately entwined, stretch skywards. It is here, three and 13 years ago, three siblings scattered the ashes of their parents to the winds—with a tear in their eye and pain in their hearts.

Silently, on this cool December morning, we absorb the familiar and favoured view of Oxford once more—a place that was the centre of their world and ours—for a while.



Photos © Alison Day
  

© Alison Day 

Tuesday, 4 February 2014

Around the World


Here's my take on a fun way to not only raise up a plant in a tall glass vase, but at the same time re-cycle a redundant globe lamp. - Stylish, funky, light and airy solution with none of the potential block-feel that an upturned flower pot would give!


Friday, 31 August 2012

Super Solar


Absolutely love this, and it's definitely going on my wish list... A self sustaining floating island, designed by Michele Puzzolante. This solar floating resort is: hotel, yacht, submarine (sleeping six), has an underwater observation room, a jacuzzi and photovoltaic thin-film skin panels, which if implemented properly, could produce a third of the worlds energy by 2060.

That aside, the development of clean solar energy technologies combined with the vast electrical energy created by the power of the sun, could translate into an unlimited, non-polluting energy for the future. It could also be part of the solution to our current problem of global warming as well as other environmental issues.


Via Inhabitat


Monday, 26 December 2011

Bombs Away!



The cosy version of graffiti, and sometimes referred to as 'Grandma Graffiti,' Yarn Bombing/Guerilla Crochet originated in 2005, in the USA and is said to have been the brain-child of Magda Sayeg, from Houston. Since then it has become a worldwide indie-art happening.




With a  similar philosophy to graffiti, this art form includes the decoration of urban spaces, buildings and found objects, with a view to  enhancing their cold, sterile and mundane appearance, but without the socio-political commentary. 




Decoration is by using leftovers from previous knitting/crochet projects, or specially created pieces . The difference is that this artwork is not permanent, but for some reason is still classed, although often isn't prosecuted, under the same 'graffiti' law  as a offence!




Fun  Fact: Since June 2011, the first international Yarn Bombing Day, has been observed.




For more examples of Yarn Bombing/Guerrilla Crochet take a look: here.

Tuesday, 1 November 2011

Forced To Fly - Second Edition



Recently, I received a lovely email from Jo Parfitt telling me that the submission of one of my short stories had been successful ('Stay a while longer') and was destined to appear in the second edition of 'Forced to Fly.' 

In Jo's words this book is an 'anthology of humorous writings about living abroad,' but is also packed with useful tips, suggestions of books to read and funny quotations. Designed to keep you on this side of sanity during your sojourn abroad, whether long or short

For the low down on the project and list of writers taking part to date, take a look here. 

Of  course I will keep you updated as to it's progress, and will shout about it from the tree tops when it is due to come out; Also, I hope you will buy your own personal copy.  So, watch this space...

Forced to Fly (I illustrated the spot illustrations and designed the internals, 2010) - purchase HERE

Thursday, 14 April 2011

Craftivist Collective & Climate Rush Campaign


'UK train fares are some of the most expensive in Europe, and they are about to rise further, at great cost to both people and planet. The Craftivist Collective and Climate Rush are taking a stand.' - Hannah Bullivant

Illustration by © Alison Day Designs  for 'Fair Fares,' article written by Hannah Bullivant  First published in Amelias Magazine, April 2011