Showing posts with label renaissance. Show all posts
Showing posts with label renaissance. Show all posts

Sunday, 10 May 2015

Fountain of Shame


The Fountain of Shame by Alison Day


The Fontana Pretoria, or 'Fountain of Shame', as it is commonly known, can be found on the Piazza Pretoria in Palermo, Sicily.
The fountain was designed by Francesco Camilliani, a Tuscan sculptor of the Renaissance period. Originally commissioned for a private villa in Florence, it was eventually moved to Palermo. In its day, it was considered a risqué affair, due to its opulence. The balustraded staircases, nude statues of gods and goddesses striking a pose, animal heads, monsters and nymphs spouting water, led the Palermitans to name it: Fontana della Vergogna, or 'Fountain of Shame.






© Alison Day 


Tuesday, 30 December 2014

Eternal Renaissance





In the gravel car park of Wytham Woods, we head for a tall wooden gate. On the way we pass other Christmas walkers, with their hatted heads, booted feet and festive cheer. Unrestrained by its turquoise rope lasso, the gate yields to a light push swinging out into a field of long, tufted grass. The path is slippery with mud, so we follow the long tresses of its edges. The landscape undulates upwards towards a cluster of trees on the horizon.







The air is fresh and clean and I feel my lungs gasping greedily with the effort as my boots slide out from underneath me. Shrubbery, green fields and bare wintery trees surround us. The decorative dots of sheep, barely visible buildings and a white mass—The John Radcliffe Hospital, are part of the patchwork landscape.
Along the way, we greet friendly-faced walkers. Facial contours forgotten, fading almost as instantly as the time in which it takes us to pass by. At the top, through a metal gate that closes automatically behind us and into a tunnel of bare-branched trees connected at their tips. Dark, naked and silent waiting for the Renaissance of Spring.





A path has been cleared through the thick blanket of fallen and browning leaves. Twisted and gnarled limbs cavort around us. Fallen trunks are clothed in rich, green moss and the landscape falls away suddenly into a small valley, only to rise again a little further on, at journey's end. This is marked by a bench, facing a gated view from a raised stone plinth. Growing nearby, a pair of tree trunks like lovers intricately entwined, stretch skywards. It is here, three and 13 years ago, three siblings scattered the ashes of their parents to the winds—with a tear in their eye and pain in their hearts.

Silently, on this cool December morning, we absorb the familiar and favoured view of Oxford once more—a place that was the centre of their world and ours—for a while.



Photos © Alison Day
  

© Alison Day 

Monday, 11 March 2013

Pyramid Hacienda






Continuing with the Vertical Gardens theme I champion,  I found this rather ingenious design for one that not only maximizes space, but is quite attractive too. Featured by Green Renaissance, its construction looks a relatively easy design to replicate if you are handy (and so inclined).

A wall brightening and more organically shaped solution is the pot tree, where pots can be interchanged, as well as reorganized to get the desired effect.







The lettuce wall, however, I think is ingeniously simple. It is a good use of vertical space in order to grow ecologically friendly and pesticide free crops, hands stay clean, and it serves as a decorative divider in the planning of a landscaped garden. 

If you want a bit of inspiration when it comes to construction, take a look at the Florafelt growers from Plants on Walls  - they are created using recycled plastic bottles and an indestructible nylon non-toxic fibre. Once the plants have 'settled in', the effect is amazing!









Monday, 22 March 2010

The Gold Office.



The Goudkantoor (Gold Office) was built in 1635 and was then known as the ‘Collectehuis’. It can be found in the Waagstraat complex behind the old City hall. Over the years it has been used for many different purposes. Presently in use as a café-restaurant, it was also once a ship museum, a tourist information office, and a part of City Hall.

This is a delightful building to see and stands amidst the modernity of the shopping district in the centre of Groningen. With a rich historical background this building was once actually used as a tax office for Groningen and the surrounding provinces. The Latin proverb on the front of the building ‘Date Caesari quae Caesaris’ means ‘Give unto Caesar what is Caesar’s’ which referred to the collection of taxes.

The name the ‘Goudkantoor’ comes from the period when it was used as an assay office for gold and silver pieces, during the 19-th century. Here gold and silver objects were assessed for their quality and given a hallmark accordingly.

Built in the Dutch Renaissance style, this building has a very striking façade. The eye catching shell-like forms that appear above both doors and windows are said to be the handiwork of a sculptor from Bremen. Tests on the paint remains of the bricks (in red, ochre, gold and blue) are said to be the original colours. Motifs on the walls are from the 17-th century with origins from South Scandinavia, the German coast and the Low Countries. This kind of decoration was often used in preference to glass and Goblin tapestry.

Acquired at the beginning of the last century by the City Council of Groningen the original coat of arms of the province was immediately replaced by that of City of Groningen. This was seen as a great conquest as between Groningen and the province there has always been a great rivalry, as long as can be remembered.



First published in the Connections magazine #8 July 2005

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)