Showing posts with label nature. Show all posts
Showing posts with label nature. Show all posts

Sunday 22 December 2019

Prickly briar gallop




I hope you enjoy it and thank you for reading. 
And do let me know what you think in the comments.

Tiny daily poem for November - Day 15/30 - Prompt: Falter

Photo & text: @alisondaydesigns

Instagram: alisondaydesigns
Website: alisondaydesign

Nature’s Empire Falls



I hope you enjoy it and thank you for reading. 
And do let me know what you think in the comments.

Tiny daily poem for November - Day 14/30 - Prompt: Late

Photo & text: @alisondaydesigns

Instagram: alisondaydesigns
Website: alisondaydesign

Friday 18 June 2010

Jessica Lelieveld



Jessica divides her time between a house in the countryside, situated in Norg (which she shares with her family and two dogs) and her studio in Groningen. With two such different worlds at her fingertips, she finds plenty of influences, which can be photographically captured. After much contemplation, an idea will emerge and this she then interprets in clay.

Particularly interested in the transience of existence, she is fascinated by the process, structure and colours in nature when something dies away. Layers and organic forms are recurrent themes in her work and with this in mind; her interpretation of the four seasons has emerged. This consists of twenty clay panels (mosaic-like in their layout), depicting the flora and colours typical of each season. During my visit to her studio, winter and summer were laid out on display, ready and waiting for the panels to be joined together with a copper-coloured wire to make a wall hanging.

Other current works include lamps; one of which has as its base form, a large stripped walnut tree trunk, encircled by metal swirls. The finished product will symbolize the relentless continuance of life. On display in windowsills smaller works can be seen, comprising of a series of clay tiles, some displaying cross-section slices of a small tree trunk, some a procession of pebbles, ever increasing in size. The roundness of the forms she uses symbolizes nurturing whilst the tile procession that of evolution.


With beautiful high ceilings and ornate decorations, Jessica has renovated her studio-house, imprinting on it her signature style, with a touch of the modern here and there where appropriate. Future plans are to decorate every room, door and space with her work so that it becomes an artistic house, where it would be possible to spend the night, or artistic companies could come and hold workshops and inspirational events.




Apart from the natural world, another inspirational source (as well as his philosophy) comes from the Austrian artist and architect Friedensreich Hundertwasser. He was best known for the colourful buildings he designed as well as being a champion of human and environmentally friendly construction.

Jessica is a member of a collective of artists, Galerie Huis ter Heide, which can be found in a converted stall of a farm in Drenthe. The exhibits are refreshed every couple of months with new work and all works are for sale. More about the collective can be found at: Galerie Huis ter Heide.

The aftermath of the economic downturn has had its effect on every walk of life and particularly that of the artist. I asked her what kind of effect it has had on her and her work. From her reply it seems that art fairs have become more important as venues for artists to show and sell their work, as well as making a concerted effort to offer a selection of work in a broader range of prices. Jessica intends to show her work at a couple of these fairs, as well as taking part in Art Explosion, a platform for artists, which occurs annually in Assen.

She has no issues about parting with her work when it comes to selling it, for her it’s the process that is important, particularly whether her idea is feasible, not only from the design perspective, but within the confines of the size of her clay oven. The biggest ‘present’ for her is that she can make people happy with her work.





© Alison Day
Alison Day Design 
First published in the Connections magazine #27 Spring 2009 




Monday 14 June 2010

What's Hot, What's Not! - Geocaching






Geocaching is a way to take a walk in the countryside, which is a combination of both sport and game. If you are tired of just looking at flora and fauna whilst listening to the trudging sound of your footsteps on a walk, why not take a walk with a purpose that will keep your brain as well as your body fit?


With Geocaching, the idea is that with the aid of a handheld GPS receiver (using co-ordinates obtained from the Geocaching website), you follow what is rather like a high-tech treasure hunt. At the end of the hunt, hidden somewhere in the world, you will find a cache. The cache is generally a watertight box complete with logbook (the finder can document finding the cache), and ‘treasure’ inside, with which items can be swapped or added. Anyone can hide a cache and the location is made common knowledge via Internet. Once found the cache is returned to its original hiding place and your Geocaching stories and photos can be shared online at various forums.





So, it is also possible to choose the type and grade of difficulty of the Geocache; whether it’s a normal, earth, multi or mystery cache. The earth cache for example is educational, whilst with the multi cache a point has to be reached before the co-ordinates of the final hiding place are given. Another popular variety is the collation of information found at given points in a hunt, which lead to the end destination and, you guessed it, a cache.


The game has been around since May 2000; Dave Ulmer hid the first cache on 3rd May. In order to play the game one has to create an account and become a member, which is free. Currently there are Geocaches placed in over 100 countries around the world and on all seven continents including Antarctica.


So, dust off those walking boots and take your brain for a jaunt!
For the official Geocaching website: Geocaching. For the Dutch website: Geocatching (NL).
Sources: Wikipedia


© Alison Day 2018
Alison Day Design 
First published in the Connections magazine #24 Summer 2009