Sunday 8 January 2012

Hou je Thai



From the hustle and bustle of the Folkingestraat in Groningen, I turn into a narrow little alleyway, and the sounds magically melt away is if absorbed by the stone-sided buildings. Karen greets me, a big friendly smile on her face and a white china coffee cup, empty and dangling despondently from her hand. Before we go further, she tells me she’s in need of another cappuccino from cafĂ© Pure. So, we retrace my steps into the noisy street again to return a few minutes later armed with a fresh, steaming cup of the beverage and we venture further into the alleyway, Karen enthusing and pointing out the hidden gardens along the way.

We reach her studio via an impressive marble staircase, with a smooth, varnished, wooden handrail that ascends with us. The room, high ceiling and white-walled exudes a comforting wave of warm incensed air and ushers me across its orangey-red floored interior to a large comfy chair. In place of coffee, Karen presents me with an infusion of Thai herbs, in a lidded china vessel and sits opposite perched on a fuchsia coloured covered stool.

To my question as to how she began with holistic medicine in the Eastern doctrine, namely Thai massage, she replies that with an Indonesian father and a Thai Aunt the knowledge was unavoidable: “It was already integrated in my life – I was it, because it was in my family and so it is already within you…”

“It’s an accident that I am this”, she says. In Eastern cultures overcrowding has meant that people are more used to physical contact; with touch you can feel how someone is, unlike the western world where people would rather sit as far away as possible from each other. Casually, she lays a hand on my shoulder and gasps at its tightness. To begin with, she says, she practiced not only just on family members, but also friends and guests, which led to more people coming to her. As she recalls, in those days it was always unpaid and often in dusty little corners, unlike now in her pristine studio.

With twenty years of experience, she says she has a combination of Western knowledge and Eastern intuition, including acquiring some all important diplomas, having studied under Maria Mercati, in CheltenhamEngland. A fruitful time, which not only broadened her knowledge, but taught her to understand the connection between sickness and the application of pressure, something she had always known and applied intuitively.

Once we had talked for a while Karen suggested I remove my boots and sit on the white cloth and cushioned area, for a short session of massage, the idea being to understand what it entailed: “We can talk all day about it, but it’s hard to describe unless you experience it first hand. You’re the words person, maybe you can.” No pressure there then eh, Karen (s’cuse the pun)?




To begin with she started with my shoulders, and using her weight and forearms, pressed downwards, followed by release. This increased with intensity with each repetition. At its most intense and, just as I thought I couldn't take it, she would release the pressure and my body felt as thought it was rising upwards; a pleasant and somewhat unusual feeling. When it came to arms and legs, type and duration of the pressure applied was dependant on how much the limb accepted or resisted her manipulation. Relaxation and trust are key in this, but after a while I found both body and mind relaxing into the experience. In a third of the length of a full session, not only had the tight feeling in my shoulders disappeared, but both my back and neck seemed elongated and my posture had improved - all this in just half an hour! Sitting cross-legged and trying to muster up the desire to get up, I chatted further with Karen about her vision of collaboration with the healthcare system.

She tells me that these days the cure to an illness cannot always be solved with a pill or a week sitting at home; sometimes the cause goes much deeper. Sickness can be a culmination of many things, not only from the present, but the past too, sometimes even as far back as your childhood. Also, it can be carried over from one generation to another if not dealt with
properly.

If we start teaching children at school level, to recognize their body’s physical needs, weaknesses, excesses, and to be consciously busy with health from the word go, this could lead to an all round healthier life for them.

In the future Karen would like to see collaboration between what is considered the ‘socially acceptable’ medicine and the centuries old natural medicine that she practices. In a world of increasing stress, with doctors who have little time and where patients are generally seen as numbers or percentages, this would certainly help to improve the system as a whole. She believes that she can be instrumental in preventative medicine and help people to recognize, and thereby become responsible for their own health again: “I am the instrument - you will feel what you need to do.” 

As a parting gift Karen very kindly gave me 3 samples of her specially blended teas plus a scent box containing one of her homemade oils:
Ya dom. And yes, I highly recommend that you treat yourself to one of Karen’s therapeutic massage sessions.

For a list of insurers who reimburse natural medicine by BATC therapists: here

For more information, take a look at Karen’s
website: www.houjethai.nl



First Published in the Connections magazine January 2012
© Alison Day Designs


Thursday 5 January 2012

SongBird



'A bird doesn't sing because it has an answer, 
It sings because it has a song' - Lou Holtz


The new Connections magazine cover, Winter issue #34. Also, promo design for Vocalips whose up & coming concert you can see 21 Jan 2012, Plaza Danza, Groningen (NL). More Connections back issues: here

© Alison Day Designs

Tuesday 3 January 2012

A Thousand Cups of Wine

'A thousand cups of wine do not suffice when true friends meet, but half a sentence is too much when there is no meeting of minds.' ~ Chinese Proverb





After a whopping 229,764 corks (that's a lot of wine!) and 27 days of hard work, artist Saimir Strati achieved his goal, in the Sheraton Tirana Hotel, Albania. This earnt him the record for the World's Largest Cork Mosaic.




Or, if you're not feeling so adventurous, you can always make a cork creation on a smaller scale.

Monday 26 December 2011

Gingerbread from Hell



Looking for presents that will fit into Santa's Christmas stocking, for Christmas Eve, can sometimes be a trial. They must be not only be inexpensive, but of course the aim is to fill up as much space as possible in the stocking, thereby reducing the remaining xmas shopping trips necessary. The other ulterior motive here is that originality of ideas aren't too taxing for the brain, as that stress level has already been achieved, by the all important main present, waiting beautifully wrapped under the Christmas tree. 

Although my son is actually no longer a 'believer' in Santa, he is still young enough, where, if he pulls the baby-eyed 'pleazzzz, can I have a stocking?' I will still oblige (In a couple more years, I'll be able to extricate myself from that obligation totally).




With this in mind, I was delighted by one stocking present I came across, which happened to be a DIY Gingerbread House Kit, complete with, yes you guessed it, gingerbread, icing and little kitsch and brightly-coloured icing-sugar decorations, in the forms of a gingerbread man, a gift, a Christmas tree, a festive wreath and coloured dots. Assembly seemed fairly straight forward, 'Fun to Make' was emblazoned on the front, and the end result looked picturesque.

Christmas morning duly arrived as is its wont, and the stocking was enthusiastically unpacked, wrapping paper tossed aside on the floor, treasures revealed. Of course once opened the DIY gingerbread house was top of the agenda, and, had to be made. What could I say...'sure, go for it, don't expect me to join in, and let me finish my tea in peace, please... ' 

In the first instance everything went fine, the pieces of gingerbread and coloured sugar icing deco's were taken out of their packaging and laid out carefully, in anticipation. The minuscule text of the instructions on the back of the box was read, and the images viewed, whilst the packet of icing (for the glue and snow decor) was softened in a bowl of hot water.




Simple procedure - no chance - the aforementioned icing softened but instantly solidified again before ever reaching the gingerbread pieces! This meant my tea and I parted company, as I was roped into holding various walls and roof bits, whilst the sugary 'glue' supposedly set. No joy. So, we decided to make our own (from icing sugar and water, what else?). This was certainly a more appetizing mixture to look at, but would it stick... Hell No! Was I covered in icing by the end? Yup. 

As if the above trials and tribulations weren't enough, downside no. 2 was taste. If asked to rate this culinary ruin as to its edibility, I can say without a doubt that is the  most disgusting 'gingerbread' I have ever tasted! Not only was it rock hard but scented with what can only be described as lavender toilet freshener. The icing sugar deco's were the same too, equally inedible and tooth-breakers.

As a result, the demolition team was called for, and, amid peals of laughter, the walls were well and truly brought down, and the ruins relegated to the bin!




So, be warned, not every gingerbread house is going to end up looking like the picture on the box it came in, and, as for tasty, unless, you are a witch, or named Hansel or Gretel, there's no guarantee there either!


Bombs Away!



The cosy version of graffiti, and sometimes referred to as 'Grandma Graffiti,' Yarn Bombing/Guerilla Crochet originated in 2005, in the USA and is said to have been the brain-child of Magda Sayeg, from Houston. Since then it has become a worldwide indie-art happening.




With a  similar philosophy to graffiti, this art form includes the decoration of urban spaces, buildings and found objects, with a view to  enhancing their cold, sterile and mundane appearance, but without the socio-political commentary. 




Decoration is by using leftovers from previous knitting/crochet projects, or specially created pieces . The difference is that this artwork is not permanent, but for some reason is still classed, although often isn't prosecuted, under the same 'graffiti' law  as a offence!




Fun  Fact: Since June 2011, the first international Yarn Bombing Day, has been observed.




For more examples of Yarn Bombing/Guerrilla Crochet take a look: here.

Thursday 22 December 2011

Almost Alice





'I can't explain myself, I'm afraid, Sir, because I'm not myself you see.'
- Lewis Carroll









A few examples from the Almost Alice collection by digital artist,
Maggie Taylor. For the rest of the series look here 

More about the artist, take a look at her fabulous website, here.