Wednesday 28 April 2010

Featured City - Emmen




Emmen can be found to the north-east of The Netherlands. A fusion of several small farming and peat-harvesting communities and which date back to the Middle Ages, in the province of Drenthe

With 108,000 residents it is the most highly populated city in the area. It also accommodates the highest concentration of industry in the northern Netherlands with over 4,500 businesses. Emmen also devotes the highest number of hectares to glasshouse horticulture of any other municipality. The Schoonebeek gas fields are very close and the textile and electronic sectors are well represented.

Emmen is also both nationally and internationally renowned as an open, green city. An abundance of room has meant that with the use of clever landscaping the suburban areas border on heather covered land, sand dunes and woodland. Saxon farms and nine ancients’ graves show just how long this area has been inhabited.





The zoo, Wildlands (formerly known as Dierenpark Emmen), was built in 1935 and totally renewed in 2016. It has a large collection of animals that live in a carefully reconstructed habitat according to vegetation, climate and elevation. The oldest animal in the zoo is an elephant, Annnabel, who arrived at the zoo forty years ago at the age of two. The zoo attracts 1.5 million visitors every year and is open all year round. For more information on Wildlands: here https://www.wildlands.nl

The centre of Emmen is lively and filled with modern and diverse shopping areas as well as cafés and restaurants.

Culturally, Emmen also offers theatre, exhibitions and festivals for visitors. There is also a walk or cycle route, that with the guide book 'Beelden in Emmen' (Images in Emmen) in hand, takes the visitor past all the art works, and statues around the city. The guide is available from the VVV Emmen (tourist information).






© Alison Day

First published in the Connections magazine #13 Autumn 2006 

Connections Magazine - Autumn #13 2006





Second Connections cover, this time sporting a detachable badge to celebrate 10 years of Connect International. I wonder if there are any still kicking around out there or can they be found amongst the toys of some kids?






© Alison Day


First published in the Connections magazine #13 Autumn 2006 

Connections Magazine - Summer #12 2006





The Connections has made a logical transition from a newsletter to a magazine. This has meant that each quarter we have to brainstorm something for the cover and articles have been banished to the inside pages.


© Alison Day

First published in the Connections magazine #12 Summer 2006 



Dreaming of Oxford



Oxford is known as the city of spires and boasts an enormous concentration of amazing architecture and lots of bicycles. This famous seat of learning comprises of thirty-nine colleges, the buildings of which can be found dotted throughout the city. Entrance to the colleges is via grand portals overlooked by grotesque gargoyles, each with a porter’s lodge. Once inside this leads to a quadrangle with an immaculately kept lawn and floral beds, the whole surrounded on all sides by the college building.

The oldest college is University College (usually referred to as Univ), which was founded by William of Durham in 1249. Up until the 16-th century it was only open to Fellows studying theology. A special building in the college houses a statue by Edward Onslow Ford of the poet Shelley, a former member of the college who was expelled for writing ‘The Necessity of Atheism’, and then sending it to anonymously to all the heads of the Oxford colleges.


The Sheldonian Theatre, an imposing building also well worth a visit, was once described as ‘one of the architectural jewels of Oxford’ and can be found on Broad Street in the centre of Oxford. Its perimeter walls and railings incorporate thirteen heads on stone pillars, and these are known as ‘The Emperors’ Heads’, although with all the scholastic brains available in Oxford no one seems to be able to explain whom they are. They may represent Janus, who was both the god of doorways and of the New Year. The Sheldonian was designed by Sir Christopher Wren and funded by and named after the Archbishop Sheldon, its design being molded on the Marcellus Theatre in Rome. The Sheldonian is mainly used for university meetings and ceremonies, but at other times for classical recitals and plays.






Oxford has 150,000 inhabitants (approx) and due to the usual problems with parking, as with most cities, it can be best seen by bicycle. It boasts a plethora of restaurants and old pubs that serve pub lunches, real old ales, chocolate beer and in some cases ‘scrumpy’. This beverage is an acquired taste, a cider that lacks any fizz and looks as though one should flush it away rather than drink it!

One pub that is well worth a visit is The Turf Tavern a historic pub with wooden beams that is located just outside the old city walls. This is always a popular hangout for students and tourists alike. Another, dating from 1650 is The Eagle and Child, popularly known as ‘The Bird and Baby’. In the 1940’s and 1950’s this was the meeting place of a group called ‘The Inklings’, which included C.S.Lewis and J.R.R.Tolkien who met there to discuss literature, writing and life in general.

For those of you in search of the more modern watering hole there is always Raouls’, in Walton Street with its endless list of cocktails to choose from. ‘QI’, (Quite Interesting) on Turl Street, (based on a TV quiz of the same name, where points are awarded for being interesting or funny) has an objective of being ‘…a place where you can have a decent conversation'. QI is a café-bar, bookshop, and members' club is a good place for morning coffee, food and has an underground vodka bar!


One pastime every tourist should try whilst in Oxford is ‘punting’; an age-old tradition where a long canoe shaped boat is propelled down the rivers of Oxford by means of a long pole. An interesting concept for many a new punter until he finds his/her pole stuck in the mud at the bottom of the river and is left frantically clinging to the pole whilst the boat continues its course further down stream.

Continuing on the boating theme there is the Oxford-Cambridge Boat Race, which takes place along the River Thames from Putney to Mortlake, a distance of four and a half miles. Every year, since 1829 the two rival universities have competed against each other with their strongest team of eight rowers, for the honour of the water. The rivalry between the two universities is an age-old matter and continues long after the boat race has finished in every conceivable manner under the sun.






The indoor market on the High Street in the centre of Oxford was designed by John Gwynn and is a fun place to shop. There you can buy meat, fruit and vegetables, bread, and hand made cakes, browse through boutiques, or just sit and enjoy a coffee in one of the several small coffee shops. The market, which dates back to 1772 aimed to remove the then messy market traders off the High Street and by being enclosed, offered shelter from the elements.

The Ashmolean Museum is well worth a visit and housing a diversity of archaeological specimens, paintings, and relics. But if that seems a bit tame the Oxford University Museum of Natural History has some marvelous dinosaurs and a dodo! The museum often has interactive exhibitions aimed at kids.

If you want to get the best views of Oxford and the surrounding area from above then it is worth climbing the tower of the University Church of St Mary the Virgin. The church is found on the High Street in the centre and is the best vantage point.





© Alison Day

First published in the Connections magazine #12 Summer 2006 


The 'Monkey Rock' Groningen





The building of the Gasunie (Gas Corporation HQ) or ‘Apen Rots’, (Monkey Rock) sits defiantly on the outskirts of Groningen in all its 87 metres of blue and sandy coloured glory. This is the head quarters where the distribution of natural gas is controlled.

Consisting of two wings each with seventeen floors, the two wings form one angle of a pentagram at 108 degrees with each other. At the adjoining point of these wings the complex is opened up by lifts and a staircase. The staircase leans on a column in the form of a tuning fork, the stairs of which are turned 4.5 degrees per floor. The effect created by the interior gives rise to the building being named the ‘Monkey Rock’. The building covers an area of 45.000 m² and, from initial design to completion, took from 1989 to 1994,at a cost of € 63,50 million.

The Gasunie was designed by architects Alberts & Van Huut Ltd., in Amsterdam. Their vision before starting a project is to envisage the human being as the inspirational starting point, and then to design around this idea, so that the building not only fits in with its landscape but with the city it is placed in as well. It is most important that its human occupants can relate to the building and feel comfortable as they use it, either as an environment to live or work in. 


This organic style of building started in 1925, and continues to the present day. The style of this expressionist movement can be found to have influences from Art Nouveau and the architecture of the anthropological movement. Use of the mathematical Golden Ratio or Phi is often used in the construction. Also the relation between exterior and interior as well as the use of natural materials and colours, as opposed to monotone colouring, are an important part of the style.

Other architects who not only used the organic style in their work, but also were inspired by man and the natural world were, Antoni Gaudi, as well as a few of the modernists, such as Le Corbusier, Frank Lloyd Wright and Hans Scharoun.





© Alison Day


First published in the Connections magazine #11 Spring 2006 

Tuesday 27 April 2010

Janet Klok & Sparkle* Designs



Janet and I met on a warm sunny spring morning for coffee on the terrace of The Golden Tulip Hotel in Paterswolde. A relaxed and easy person to talk with, we were soon deep in conversation.

Janet was not always a jewellery designer and started by studying commercial business followed by computer programming. Although practical she decided that designing jewellery was more the direction that she wanted to go in and, influenced by a cousin who had a jewellery store, she decided to take a jewellery course. Interest in her work grew and as a result of this she began to get commissions, followed by invitations to exhibit her work in galleries and take part in fairs and markets. At that time she combined this with work in a bank, which helped to get her business on track and Sparkle* was born.

When asked about her style she describes it as ‘nonchalant’. The trademark of her designs are clean, sharp lines in silver, gold and titanium often with natural materials incorporated into the design. She uses precious and semi-precious stones, mother-of-pearl, pearls, coral, lava, lapis lazuli, and crystal to name but a few. These are either used in combination with other stones or in the case of the lapis lazuli necklace shown here, in bold chunks with small balls of gold in between each stone.

Janet draws her inspiration from art, and magazines as a starting point for an idea and then sees where it takes her as she progresses. What starts out as a necklace can invariably end up as a ring or bracelet, she never knows the outcome beforehand. She also likes to experiment away from what is typically her style and embraces a new idea or influence in search of a new style, which as always results in a totally original piece of jewellery.

Breathing new life into ‘old gold’ is something she likes to offer to people who have inherited gold jewellery from their families and loved ones. Often the item is not worn because it is either not really the person’s style or they are too worried they may lose it. Janet melts the gold down and throws the molten gold into cold water, which makes something completely new. The resulting shape is unique and can then be further decorated if asked for. In her experience this gives more pleasure to the wearer as it then becomes personalized but also retains its sentimental value being a reminder of the original owner.

These days Janet combines Sparkle* with part-time work as a project manager for Q-Group, a company who offer business and job solutions for entrepreneurs.



© Alison Day


First published in the Connections magazine #11 Spring 2006 


















































© Alison Day
First published in the 
Connections magazine #12 Summer 2006
Read & download issue here