Showing posts with label Global Nomad. Show all posts
Showing posts with label Global Nomad. Show all posts

Monday, 17 January 2011

What's Hot, What's Not - 'Home Keeps Moving' by Heidi Sand-Hart.






She has spent the greater part of her young life traveling all over the world, living in countries such as India, where school trips were by no means ordinary, and involved visiting jungles inhabited by tigers and elephants and crystal clear lakes. It is here too that her mother set up two orphanages, to help the unwanted baby girls rejected by their families, who would be unable to meet the demands of the customary dowry expected of them when the girl reached marrying age. So, from an early age Heidi learnt to interact with people from other cultures and had the added bonus of young Indian sisters to play with. 


Heidi perceives herself as a global nomad, as during her informative years (due to her parent’s missionary work), they generally spent no more than four years in any one place, often moving after only one or two years; as a result she attended over 9 different schools. Her life, although challenging has been unique, and although friends have been hard to make along the way, those that remain, are worth their weight in gold. Adaptation becomes the name of the game, but she wouldn’t have it any other way. One point she does make, however, is that she sees all the variety and excitement she has experienced as a gift. ‘Real life’ is rather more mundane and to try to re-create this lifestyle now as an adult would cause her to be alienated from her peers.





Often feeling mature beyond her years, and grappling with unresolved grief within, as well as the delayed adolescent rebellion (due to a highly organized and pressured nomadic existence) has meant that compiling Home Keeps Moving has been a long time in the making. It wasn’t until she came across the “Third Culture Kids: Growing Up Among Worlds”, by Ruth van Reken and Dave Pollock that she was able begin to rationalize her thoughts enough to make headway and to express precisely what she thinks makes her feel different as a TCK, in comparison to others.

A cultural chameleon she certainly is, and it is interesting to hear that she has managed to build a relationship (on her own terms) with each of the three main cultures she is involved with. Of her birth country England she says: 

“Whenever I arrive in London, the familiarity makes me feel at home...like I almost belong there”. Of Norway: “It was never more than a summer holiday destination to me, until we moved there in 1996, and it highlighted a lot of TCK tendencies to me, so for that I am grateful”. And finally, of her mother’s country, Finland: “Finland is called “the Land of a Thousand Lakes,” and I have pleasant memories of steaming hot saunas, night swims, roasting sausages on open fires, moonlit boat trips with our cousins, adventure, and beauty”.

But as to where she considers home to be: “The truthful answer is that home is wherever my family members are”.

Heidi’s book, ‘Home Keeps Moving’, provides the reader with an honest and interesting account of the life of a TCK and MK. As well as including her own experiences, for extra dimension, she has included accounts from other multi-cultural global nomads and TCKs, including her brother, Ben. Her story touches on the advantages and disadvantages of being a third culture kid in today’s world. It is a lifestyle, which can be said to provide, on the one hand, a rich education about the real world and its issues, as well as how to interact with people of many cultures, and on the other, how to deal with culture shock, continual packing and unpacking, and the inevitable restlessness caused by the lifestyle of a global nomad.





First published in the Connections magazine #30 Winter 2011 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)






Tuesday, 13 April 2010

Shona van Dam - India, Meditation and Minerva




An interview with Shona van Dam took me to her degree show in the Academy Minerva in Groningen. A long, narrow, totally white interior filled with white scrolled pillars of card in various heights and breadths and each poised on a sketchbook. Both imposing and unusual this installation requires interactivity from the viewer to reveal its secrets.

According to Shona the installation is based on a 30-meter high dome-like building, which is the focal point of a community called Auroville in Tamil Nadu, India. Built in concentric circles, the design is based on the galaxy. The dome is known as the Matrimandir or ‘Soul of the city’ has an inner chamber with 12 white pillars, which serve as décor rather than being functional. In the centre of the white marbled inner chamber there is a large ‘crystal’, globe measuring 70 centimeters in diameter, this is the largest optically perfect glass globe in the world. Daylight that emanates from a hole in the ceiling passes through an installation and emerges as a beam of light that passes right through the crystal from top to bottom, ending up in a pond full of lilies. In this chamber the atmosphere is one of purity and calm, and here meditation and reflection are practiced. The ethics of the community are to live in harmony whatever their race or creed, outside of the predetermined restrictions of other countries or states. 

Auroville is Shona’s birthplace. White pillars feature in her work, reflecting calm and purity. By placing rolled up cardboard in pillar form on top of her sketchbooks, the viewer is made to look down into the ‘pillar’, to view her work and thereby physically interact with each work individually. Sometimes you have to stoop down low, at other times stand on tiptoes, or by moving the pillar. In this way the experience is more intense and is in total contrast to the experience provided in most museums, where the observer often remains disconnected from an exhibition, by not being allowed to touch or move anything.

What one sees at the bottom of each tube is an image combined with a spiral of text. This is her way of releasing as she says an ‘over load of the mind’, as a result of the stimuli of life and the world around her. ‘The setup is designed to give the viewer the opportunity to peer through a ‘mini-scope’, into my thoughts, ideas and emotions’, said Shona. Some images are drawn but by burning the paper she creates others. This is done systematically and in diverse ways. One sketchbook shows the use of a very red pigment in combination with the paper. This was created using soil, a kilo of which was sent especially by her mother from Tamil Nadu. Shona has a fascination with the unique characteristics of the materials she uses and their reaction upon contact with paper, as well as the textures, imprints and grains that are left behind.

The daughter of a Dutch mother and English father, Shona originally left India at the age of nineteen to come to Holland to ‘learn art and how to earn her own money’. The former she has accomplished the latter she says she is still learning. She plans to return to India in October to get back to her roots, after which she wants to travel, starting with New Zealand.

To learn more about Auroville their website can be found at here



First published in the Connections magazine #9 July 2005 

View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)