Tuesday, 5 February 2013
Friday, 25 January 2013
Sea Me Now
Take a look at a surprising collaboration for a fashion shoot - The majestic and imposing forms of the sea's largest fish, the shark whale alongside the mermaid-like mannequins.
By including the shark whale, photographers Shawn Heinrichs and Kristian Schmidt aim to raise awareness about the environment and conservation.
Via: DesignTaxi
Friday, 11 January 2013
Tricycle House
Made from plastic and looking like an accordion - Tricycle House is a new temporary housing idea for people living in China, and who are unable to afford their own house of piece of land, on which to build a house.
the units are not only expandable but can be added to other houses. and there are a variety of options on how to furnish the interiors: stove, sink, bathtub, water tank, as well as a bed which can be transformed into a dining table.
Accompanying accessory Tricycle Garden, is the perfect compliment, providing a mobile front lawn with trees, or a vegetable patch.
Via: DesignTaxi
& Tuvie
Thursday, 10 January 2013
No Noise
It is 1909, & the retail store Selfridges had the original idea to create a Silence Room where busy shoppers could "retire from the whirl of bargains and the build up of energy" ...
Fast forward to 2013, and they are doing it again as part of their No Noise initiative.
Supported by a selection of recognizable brands, products and fashion items, which have been de-branded in order to emphasize quiet, in an increasingly noisy world where we are continually bombarded by information and over stimulated by advertising.
Via: DesignTaxi
Thursday, 27 December 2012
Partridges & Pears
... My true love sent to me... a partridge in a pear tree!
Seasons Greetings, & a prosperous New Year to all of you who read/have read my blog... and those of you about to discover it ... may you continue to do so in 2013
Thx
Alison
Webshop
Monday, 24 December 2012
Carolijn Slottje: Interior Design - Artist Interview
Decorations in the park (the
Noorderplantsoen), during the ten days that the annual Noorderzon Performing
Arts Festival is held are often refreshingly original, and in some cases thought
provoking for the viewer. Summer 2012, saw the inclusion of an unusual
collection of birds throughout the park: outlines of over 30 familiar species
native to the area, and they were constructed from detailed, three-layered laser
cutouts of mirror. Each was mounted on heavy iron bases by metal nuts and bolts
and displayed at intervals throughout the park; one could spy a kingfisher hanging
from a pole, a heron balanced on a branch staring intently into the distance, or
groups of birds standing in the water’s shallows.
A promotional postcard from the festival,
which turned out to be a pitch to the CBK (Centrum Beeldende Kunst) to realize
the project, led my curiosity to contact interior designer, Carolijn Slottje.
Carolijn told me that apart from the
obvious decorative aspect, the thinking behind this project was to make people
aware just how many bird species are resident in the Noorderplantsoen, and what
effect the presence of a festival can have on the indigenous flora and fauna.
I met her at her studio, in part of an enormous,
high-ceilinged old school premises destined for demolition, and run by the
anti-squat organization, Carex. It is here that she has all the room necessary
to work on the five or so projects that she completes per year; either under
her own name, or as part of the collaborative label (with Eileen Blackmore, Martijn Westphal):
Young and Hanson. We ascend a series of bright red wooden stairs to the
slightly warmer, large-windowed, mezzanine area of the studio, and sit in the
sun, with large glass beakers of hot amber-coloured tea.
A graduate of Minerva, Carolijn has had a
great deal of interest surrounding her work, beginning with her graduation
project: Capilliar. This organically
formed and ‘intelligent’ display structure has exhibited in Berlin, been
written about on blogs, and drawn attention from museums for its originality. Looking
like a magnified cross section of blood vessels and arteries on a glass slide under
a microscope, and constructed from a series of adjustable rubber membrane cells,
plastic straws, and with grey plastic tubes as inner display areas, this book
case can be adapted to fit any space.
I ask Carolijn where she gets her
inspiration from. It seems that her design philosophy and approach comes from
her interest in natural structures, the stories contained within patterning,
sustainability and fair trade. Finding inspiration in the mechanical working of
things, for example bionics, she then figures out how she can translate this
for human use. Or from nature: the already documented information on how a leaf
unfurls, or the resistance of a riverbed. Knowledge gained from the former has already
been applied to the technology of how a satellite opens in outer space. The
natural world for her is inspirational through its planned chaos: “If you fill
a pot with stones, whether big or small, they will naturally fall to
accommodate each other within the pot, and find their own level.”
It can take up to a year before Carolijn
can finally launch a new product on the market. Not only does the designed
object have to be able to exist in its surroundings, but there is the question
of feasibility; materials have to be costed, the end design has to be tested
for safety, and then there is the question as to whether there is a market for
it.
For the future, her objective is not so
much about making a name for herself, but to maybe work for Ikea or Hema, producing
products with the underlying philosophy of them being financially accessible
and attractive to all. Also, she would like to use her knowledge for the design
of a “good chair for a well-known label.”
If you’d like more information about
Carolijn’s work: www.carolijnslottje.com.
First published in the Connections magazine #38 Winter 2013
View all issues of Connections HERE (editor, designer, illustrator: 2006-2013)
Thursday, 20 December 2012
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