Showing posts with label birds. Show all posts
Showing posts with label birds. Show all posts

Saturday 6 January 2024

The Ivy, Oxford: Falling Far Short of the Grandeur (& Price Tag)

 



Having planned to to spend the festive season abroad, visiting my son in the Netherlands, I suggested to my sister that we have pre Christmas celebration dinner together. The Ivy in Oxford was on my list of restaurants to try, so after we had both taken a look at the menu, I booked a table.


Founded in 1917, the original Ivy restaurant was in the West End and was popular with both celebrities and theatre-goers. Since then, The Ivy Collection has grown to a chain across the UK and Ireland.


Researching the menu online, it looked promising and offered a variety of choices. As an artist, I was also intrigued by the sumptuous interior photos. Both my sister and I were excited by the prospect of our festive meal.


Arriving earlier than our booking, we sat at the bar and ordered cocktails while waiting for our table. In the interim, I enjoyed the interior decor and botanical illustration reprints on the walls.





The cocktails came. I had ordered The Lost Paloma, tequila based with lime and grapefruit soda and my sister a Foxhound, brandy based with cranberry and lime juice. The barman introduced my cocktail as he presented it to me, in a manner befitting a cocktail. However, in the interval between serving the first and second cocktail, like the gust of an incoming storm, the barman's attitude changed and with a face like thunder, he literally hurled the second cocktail in my sister’s direction, without an introduction. We were astonished at the change, although I had observed his manager admonishing him during the making of our order. 

Back to the cocktails, both were pinkish, tasted almost identical and were watery. The usual cocktail promise, of flavour infusion coupled with expert mixology, was totally absent!


Our table ready, we moved from the bar, disappointing cocktails in hand, to a table for two, close to a serving station. This proved to be too close, because shortly after sitting down I was unceremoniously elbowed in the head by a member of the serving staff.


The ambient lighting of the restaurant was too dark and the fact that I had forgotten my reading glasses, meant I was unable to read the tiny font of the menu. We requested candles, which our table was lacking and although pretty they didn’t improve the twilight. To read the menu, I used the torch on my mobileas did the rest of my fellow diners.





First we ordered wine and water from our waitress. Opting for something new, we chose a Greek wine: Assyrtiko White Ash (Santorini, Greece) and Elra, a still water.

I’ve never experienced such a fiasco, surrounding a bottle of wine. As the waiter, who spoke little English, opened the wine, we asked if the wine could be chilled in the ice bucket, which at the time was situated behind my sister’s chair. No reaction. He labelled the bottle with our table number, hid the bottle out of reach at the service station and disappeared. 


In anticipation, we drank the water, but the wine didn’t return. Eventually, we managed to catch the attention of our waitress, who said the wine was coming. When it finally reappeared, after about 10 minutes, it was dumped unceremoniously in the ice bucket - without ice.



The request to pour our own wine, so as not to be hurried through an £80.00 bottle of what turned out to be a poorly chilled and uninteresting Greek wine, was met with surprise and the various attempts to fill our glasses were quickly nipped in the bud. Requests for the ice bucket to be filled with ice, to cool the tasteless, now warm wine, caused confusion. It took several requests before ice was finally brought by the manager, with apologies for the delay.


Making the staff aware of our dietary requirements - my sister is Vegan and I have an allergy to gluten went smoothly, but greatly reduced our menu choices. My bugbear was that a lot of food items had been cooked in the same oil as food containing gluten. Chips as a side had to ruled out for this reason and additionally because they had been (unnecessarily) coated in an ingredient containing gluten, to make them more crispy. My sister’s choices were reduced dramatically as well, to salads and the cliché go to option of sweet potato curry, favoured by many a restaurant.


Onward and upward, the food arrived…



My starter, a lobster and prawn cocktail was served in a bowl held by a striking crab holder and was delicious. This was followed by duck curry, kept warm by a tea-light lamp, rice and green beans with almonds. It was tasty, but not particularly special. Not being in the mood for the sweet potato curry, my sister opted for a salad starter and salad main, which were so-so and uninspiring.


A trip to the ladies loos, was the most fun I had all evening. On the way, the walls are covered with pictures and replicas of exotic botanical prints at every turn. The toilets are a fantasy in pink in a variety of shades and tones. The loo is pink and the floor tiles a pale pink. Climbing roses and beautifully detailed birds adorn golden walls, with statuesque Greek gods posing in between.



Not wanting to be subjected to another course, we opted for the simplicity of an after dinner digestive. A Sambuca for me and a 6-year old Calvados Camut, for my sister. To avoid further artistic license, I stipulated that my Sambuca be flaming and have one coffee bean in it. This arrived as ordered.



We requested the bill, which came to an interesting: £239.29 (including a 12.5% service charge !!). 


In summary, the over all experience of The Ivy, Oxford can only be described as having a patchwork service of: initially helpful, embarrassingly servile, not always there when needed and total incompetence, à la Fawlty Towers. Added to this, the food and drink is average. Needless to say, there won’t be a second visit.






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Monday 28 August 2017

Glass Garden


Glass Garden by Alison Day


In week three, we designed home decor products for the substrate: glass. Combining both my bird and flower icons, an overall garden theme emerged. The pieces are a mix of translucent and opaque glass and are decorated with decals, hand painted or have fused elements.
Can you see any of these home decor products in your home ?

View September's newsletter here



Sunday 13 August 2017

Magic Wings


Magic Wings by Alison Day


Having completed a five month creative bootcamp late July, I found myself in quandary—what to do next? I wasn't planning on going away, the weeds in the garden could continue their rampage (at least for a few more weeks) and the Summer holidays were still in full swing. I missed the early Monday morning assignments and the camaraderie of my fellow students...
Yesterday, ahead of deadline, I uploaded my completed Home Decor assignment for week one of a five week course. Designed for the substrate: metal, with a theme of birds.
A serial student I am, but this means yet another piece for the portfolio and I'm in creative heaven!



You can also sign up for monthly updates, digital inspiration and info on a creative, E-Course I'm writing: here


Tuesday 2 February 2016

Red Robin



Bird by Alison Day



Having discovered Creative Bug's January challenge in the last few days, I'm continuing with the daily prompts, into February.
Good for practice and interesting to see what my style morphs into, or not as the case may be.


© Alison Day 






Monday 24 December 2012

Carolijn Slottje: Interior Design



Decorations in the park (the Noorderplantsoen), during the ten days that the annual Noorderzon Performing Arts Festival is held are often refreshingly original, and in some cases thought provoking for the viewer. Summer 2012, saw the inclusion of an unusual collection of birds throughout the park: outlines of over 30 familiar species native to the area, and they were constructed from detailed, three-layered laser cutouts of mirror. Each was mounted on heavy iron bases by metal nuts and bolts and displayed at intervals throughout the park; one could spy a kingfisher hanging from a pole, a heron balanced on a branch staring intently into the distance, or groups of birds standing in the water’s shallows.

A promotional postcard from the festival, which turned out to be a pitch to the CBK (Centrum Beeldende Kunst) to realize the project, led my curiosity to contact interior designer, Carolijn Slottje.

Carolijn told me that apart from the obvious decorative aspect, the thinking behind this project was to make people aware just how many bird species are resident in the Noorderplantsoen, and what effect the presence of a festival can have on the indigenous flora and fauna.





I met her at her studio, in part of an enormous, high-ceilinged old school premises destined for demolition, and run by the anti-squat organization, Carex. It is here that she has all the room necessary to work on the five or so projects that she completes per year; either under her own name, or as part of the collaborative label (with Eileen Blackmore, Martijn Westphal): Young and Hanson. We ascend a series of bright red wooden stairs to the slightly warmer, large-windowed, mezzanine area of the studio, and sit in the sun, with large glass beakers of hot amber-coloured tea.

A graduate of Minerva, Carolijn has had a great deal of interest surrounding her work, beginning with her graduation project: Capilliar. This organically formed and ‘intelligent’ display structure has exhibited in Berlin, been written about on blogs, and drawn attention from museums for its originality. Looking like a magnified cross section of blood vessels and arteries on a glass slide under a microscope, and constructed from a series of adjustable rubber membrane cells, plastic straws, and with grey plastic tubes as inner display areas, this book case can be adapted to fit any space.

I ask Carolijn where she gets her inspiration from. It seems that her design philosophy and approach comes from her interest in natural structures, the stories contained within patterning, sustainability and fair trade. Finding inspiration in the mechanical working of things, for example bionics, she then figures out how she can translate this for human use. Or from nature: the already documented information on how a leaf unfurls, or the resistance of a riverbed. Knowledge gained from the former has already been applied to the technology of how a satellite opens in outer space. The natural world for her is inspirational through its planned chaos: “If you fill a pot with stones, whether big or small, they will naturally fall to accommodate each other within the pot, and find their own level.”

It can take up to a year before Carolijn can finally launch a new product on the market. Not only does the designed object have to be able to exist in its surroundings, but there is the question of feasibility; materials have to be costed, the end design has to be tested for safety, and then there is the question as to whether there is a market for it.






Although her income could do with a boost, Carolijn is just able to survive from her work: commissioned interior projects, and the creation of small saleable objects. For example, her fabulous up-cycled Zaanse clocks as bird houses – traditional old style Dutch clocks, with new life blasted into them. Plus of course, products from the design collective: Young and Hanson, in house at Vos Interieur.





For the future, her objective is not so much about making a name for herself, but to maybe work for Ikea or Hema, producing products with the underlying philosophy of them being financially accessible and attractive to all. Also, she would like to use her knowledge for the design of a “good chair for a well-known label.”

If you’d like more information about Carolijn’s work: www.carolijnslottje.com. Or call her: here.




© Alison DayFirst published in the Connections magazine #38 Winter 2013
Read & download issue here






Friday 15 June 2012

Cuddle Up



Absolutely love this group hug... 
Caterpillars? Birds? It’s actually a group of European Bee-eaters cuddling together on a small tree branch. The birds do look so much like a caterpillar though, that photographer José Luis Rodríguez named the image Oruga de Plumas, or “caterpillar of feathers.”
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